Chinese lacquer art

In China, the sap of the sumac tree (Rhus verniciflua) native to Southeast Asia was already used from 4 to 5 B.C. onward as a preservative and a means of artistic expression. Colored with natural pigments, the sap is a versatile medium. The collection at the Museum für Lackkunst shows a representative selection of Chinese decorative techniques, and unites examples of lacquer painting – the oldest and simplest process – with exhibits demonstrating the complex technique of lacquer carving. In these works dating from 14 and 15 A.D., ornamental or representational motifs are carved out of a lacquer background consisting of several layers. Further techniques are inlay work and filled and engraved lacquers. The colors on display range from red to black and various shades of ocher. These are also combined with gold lacquer or other materials like mother-of-pearl, metal or fish skin.